The Creative Process

July 5th, 2008

Hello subscribers and friends of LongShortStories! I hope you all had a wonderful 4th of July.

All those beautiful fireworks displays got me thinking about the creative process. Writers, musicians, visual artists, inventors — all of us engaged in creating something wonderful and unique — I am in awe of you! And why is that?

As the submissions arrive for the LongShortStories “Pay It Forward” Challenge short story contest, I can see that your muses are busy whispering in your ears great ideas for stories. Stories bold! Stories beautiful! Stories brave!

Like all the creative arts, great short story writing takes a special receptivity to new ways of seeing the world; a vision of seeing what others don’t see; an imagination rich in verbal color and style!

What’s your fiction-creating genre of choice?

Fantasy, sci-fi, mystery, romance, horror, crime, action-adventure, thriller, detective, Western, or even experimental genres yet to be defined are some of the creative possibilities for your LongShortStories contest entry. Great characters. Great dialogue. Great word play. All these elements combined in a kind of mental alchemy makes a short story a winner.

Will your entry be a winner? Will it explode upon the scene like fantastic fireworks?

I hope so! 

The deadline is July 31, 2008 or when I receive the first 100 entries.

Prize Money for the “Challenge!”

June 24th, 2008

That’s right, my friends!

A generous donor has recently made it possible for LongShortStories to offer cash prizes for the first, second and third-place previously-unpublished (Track ONE) winners of the LongShortStories “Pay It Forward” Challenge short story contest. This is wonderful news, in the true spirit of “Pay It Forward.”

As of today,

First Prize in Track ONE is $70.00.

Second Prize in Track ONE is $50.00.

Third Prize in Track ONE is $30.00.

In the event that other donors come forward, I will announce that to you all.

Please continue to submit your entries. Please continue to tell all your friends about the LongShortStories “Pay It Forward” Challenge. And please keep writing those marvelous short stories!

Good Luck to everyone!

Wayne C. Long

“PAY IT FORWARD” — Important Update!

June 22nd, 2008

Hello, LongShortStories fans and friends!

 On June 1, 2008, I launched the LongShortStories “Pay It Forward” Challenge short story contest for (as of yet) UNpublished writers. The response so far has been very gratifying, as we look forward to the first 100 entries.

 There is a bit of confusion that I wish to clarify for everyone.

1) The purpose of this contest is ( as stated in the last full paragraph of the June 1, 2008 Wayne’s Blog posting) ” … to foster previously unknown, UNpublished writers of brilliant short stories who are not yet blessed with a publishing platform to showcase their work.” (Emphasis, mine).

Several of the entries received so far have come from published writers. They have even indicated this fact on their submittal cover letter to me.

 2) What do I mean by UNpublished writers? Writers who have NEVER had ANYTHING of theirs appear in hard-copy form or on the Internet in any form, including in Weblogs of their own or those of third parties.

 3) Again, quoting from my June 1, 2008 announcement:

 ”My ‘Pay It Forward’ gift to them is exposure.” (Emphasis, mine). Yes, for those of you who read the book and/or saw “Pay It Forward,” the film, you know that this selfless, worthwhile worldview is all about paving the way for the future. A future seeded now by random acts of kindness toward those who least expect that kindness — in this case, the opportunity to debut for the very first time in published form to a world hungry for what these brave, though unknown writers have to offer.

4) I consider myself to be a fair-minded person.

I have been there in the shoes of a once-unknown, unpublished short story writer. I know the exhilaration of one’s first-time publication. And I also know that there are literally thousands of talented short story writers that could use a bit more exposure.

And, to quote again from my June 1, 2008 announcement:

” … it is my great honor to do all I can to help save the short story form.”

THEREFORE … I hereby declare that the LongShortStories “Pay It Forward” Challenge will become a TWO-track short story contest until July 31, or until the first 100 entries have been received.

Track ONE will be for the UNpublished writers that I originally hoped to discover and that I hoped to publish as the twelve best short stories (one a month) under the LongShortStories “Pay It Forward” Challenge banner.

and

Track TWO will be for those who have at least one publishing credit (hard-copy or Internet). I will evaluate these submissions with a different lens, as it were. A lens where grammar, punctuation and attention to the time-honored standards of excellent short story writing is utilized by the writer, to be judged to be the best in the business. I will award the 12 winners of Track TWO with a special “SPOTLIGHT ON …” place of honor on the LongShortStories blog.

Just to keep everybody honest, all names of entrants to Tracks ONE and TWO will be checked for prior publishing credits, so be upfront and honest with me and your peers.

Thank you ALL and Good Luck!

 Wayne C. Long,

Award-winning Writer/Publisher of LongShortStories

www.LongShortStories.com .

Happy Father’s Day

June 13th, 2008

I’m a father.

First a daughter.

Then a son.

Those many moons ago.

I had a father.

I rather like to think of him in the present tense.

Here. Right now.

With me.

Celebrating fatherhood together.

But then,

he had a father, too.

And before that,

more fathers.

I am a religious man.

But never talk about religion or politics,

my father would chide.

Too controversial.

Good fatherly advice.

For another time and place.

I owe my life to our Father.

And so do you.

And you.

And you, too.

Never forget who made you.

Who sustains you.

Who loves you.

Unconditionally.

This, my LongShortStories friends

is what celebrating Father’s Day is really all about.

Happy Father’s Day,

… Abba,

Father ….

Dad.

Spotlight On Terry Finley

June 7th, 2008

What Were Their Names?

By Terry Finley

 

Blood dribbling down his chin, Uncle Mickey mumbled, “Pecker checker.”

Aunt Margaret supposed the medical staff paid no attention to her dear husband.

“What did he say,” asked one of the nurses.

Another replied, “Something about checkers.”

Trying to suppress a smile the doctor, ex navy, knew precisely what Mickey Downing said and meant.

“Peter, Peter!” Uncle Mickey bellowed out, “Stretch; take my hand.  No, Peter, don’t sink again.  Peter, come back.  Peter, not you, too, it’s more than I can bear.”

After sitting up Uncle Mickey vomited bright crimson foam and collapsed on the ER table.  He convulsed and stopped breathing.  The nurses rushed Aunt Margaret and Michael out into the waiting area, and the staff tried to revive Uncle Mickey.

Wiping balmy sweat from his forehead and wearing an apologetic but hopelessly blank expression on his face, forty-five minutes later the doctor appeared in the waiting room.  Aunt Margaret saw the death message in his eyes and also saw the doctor shake a ‘no’ with his head.

Aunt Margaret slumped in the waiting room chair, despair flowing through her body.  Her nephew Michael knelt down and embraced her. 

Dr. Frank Melody felt her sorrow.  “Should I call the hospital chaplain?”

“I wish you would.”

Dr. Melody escorted Aunt Margaret and Michael to a conference room by the chapel.  Soon Chaplain Ben O’Hara knocked and entered.  Dr. Melody and Chaplain O’Hara exchanged glances, indicating to the chaplain a death in the ER.

Before Chaplain O’Hara responded, Michael needed to understand why Uncle Mickey screamed in the ER and what it meant.  The son of Mickey’s older sister, Michael lost his father in a car wreck; his mother died of cancer when he was seven years old.  Thirteen months later Uncle Mickey and Aunt Margaret adopted him and raised him.

The expression ‘pecker checker’ had always humiliated Aunt Margaret, and she glanced over for Dr. Melody to clarify the title.

“Your uncle was a navy hospital corpsman.  The old sailors referred to them in special graphic terms.”  He pointed down to his pants zipper, “pecker, pecker.”

Embarrassed even more, that explanation didn’t sit well with Aunt Margaret.

Even Chaplain O’Hara felt uncomfortable and turned a slight shade of white.

The explanation worked.  Michael shook his head.  “I see.”  He pointed to his pants zipper, the doctor’s pants zipper, and the chaplain’s pants zipper.  “Pecker, pecker, pecker,” he said.  “A hospital corpsman is a pecker checker.  Makes sense to me.”

The conversation lacked progression, Aunt Margaret thought.

Michael helped her.  “Why did Uncle Mickey yell at somebody named Peter?”

Aunt Margaret cried.  “Your uncle was a special man.  Few understood what he suffered in World War II.”

“Did he burst out often?” asked Dr. Melody.

“Not often.  When he first returned home, he could hardly sleep.  He talked in his sleep and cried out almost every night.  Over the years he began to sleep better; he got better with age.  He only talked to me twice about the war, and both times he broke down.

“How about in the last few months?” the chaplain asked.

“He got worse.  He cried more.  He screamed out at night.  He seemed to be afraid of something but never talked about it.”

“What happened to Uncle Mickey in the war?” Michael asked, genuinely fascinated.

“Do you mind sharing?” the doctor asked.

“It might help to talk about it,” the chaplain encouraged.

Aunt Margaret tossed wet tissues in the trash can, retrieved a dry handkerchief from her purse, pulled out a small photo album, and showed them a picture of her husband in his sailor’s uniform aboard a large naval ship.

“This was taken before the war started.  Mickey had been in the navy five years.  He was stationed on the USS Reuben James.  Have you heard of that ship?”

Nobody but Aunt Margaret ever heard of the USS Reuben James.  She sat there, staring into space, perplexed and perturbed.  Regaining her poise, she continued, “Before I tell you Mickey’s story, let me tell you what he used to say.”

“What?” Michael asked, his interest especially spiked by now.

“His favorite saying: ‘I often wonder why the worst of men must fight and why the best of men must die.’  He quoted that before he went to sleep and after he woke up.  It was as if the idea dominated him.”

“Aunt Margaret, tell us more about Uncle Mickey.  Why did he cry out?”

The doctor and the chaplain approved and anticipated the rest of the story.

Aunt Margaret pulled out an old postcard, ragged and discolored, from deep in her purse.  With help from a pair of wire framed glasses gently placed on her nose and ears, she read from the back of the postcard. 

“On October 31, 1941, the United States Destroyer Reuben James sailing west of Iceland was attacked, torpedoed, and sunk without warning.  Ninety-five sailors died on this first US warship to go down in the Second World War.”

Aunt Margaret took a deep breath and continued: “Based at Hvalfjordur, Iceland, she sailed from Naval Station Argentia, Newfoundland on October 23, 1941, with four other destroyers to escort convoy HX-156.  While escorting that convoy at 0525 October 31, 1941, the Reuben James was torpedoed by the German submarine U-552 commanded by Kapitainleutnant Erich Topp near Iceland.  Reuben James positioned herself between an ammunition ship in the convoy and the known position of a ‘wolfpack.’  She was hit forward by a torpedo and her entire bow was blown off when a magazine exploded.  The bow sank immediately.  The aft section floated for five minutes before it went down.  Of the crew only forty-four survived.”

“Wow, I didn’t know that, Aunt Margaret,” Michael said.

“Was your husband on that ship?” Chaplain O’Hara asked.

Dr. Melody answered, “Her husband was a hospital corpsman in the navy.”

“Yes, my Mickey was one of the forty-four who lived.  During all the years we were married, he spoke to me about the war just two times.”

“Who was Peter, Aunt Margaret?”

“Peter Bettger was your Uncle Mickey’s best friend aboard the Reuben James.”

Chaplain O’Hara asked, “What happened to him?”

Aunt Margaret continued,” Early that morning after his watch, Peter tripped over a rope stretched across the deck and cut open his forehead.  He reported to sickbay.  Mickey was on duty and was suturing Peter when the first blast exploded.  It ripped a hole in sickbay, and water gushed in.  The force of the water jostled Mickey and Peter out into the ocean.

“Mickey realized he gave Peter too much anesthetic.  He was woozy and could not keep his head above water.  Mickey pulled Peter to some kind of a plank, but Peter could not hold on.  Another sailor floated by.  Mickey tried but could not reach him.  When Mickey turned to Peter, Peter sank in the water.  Mickey yelled at him.  Peter let go of the plank and sank a second time.  It was too late; Mickey never saw Peter again.”

“Is there more?” Dr. Melody suspected.

“Yes,” Aunt Margaret said.  “Mickey served on two more ships before the war ended.  He never got over the death of Peter; he continued to blame himself for injecting too much anesthetic and causing Peter’s death.”

“How did your husband act after the war?” Dr. Melody asked.

“He was angry because he lived and so many died.  He felt guilty and unworthy to live.  I remember him shouting out at night and then waking up saying: ‘I had many good friends aboard the Reuben James, but I can’t remember their names.  What were their names?’”

Michael stood up and said, “Aunt Margaret, you look so tired.  You need to go home.  There is nothing more we can do here.  Uncle Mickey is in good hands.”

The chaplain asked her which funeral home she would use.  He would call and make the preliminary arrangements, and she could contact them later to finalize the arrangements.  That was a good idea, Aunt Margaret agreed.

Dr. Melody and Chaplain O’Hara escorted Michael and Aunt Margaret to the ER exit.  They expressed their condolences.  Michael drove Aunt Margaret to their house, and he prepared two strong cups of hot tea.  They spoke few words.

At five-thirty that morning Aunt Margaret woke with a startle and screamed out.  Michael rushed into her bedroom.

“Aunt Margaret, are you okay?  What happened?”

Aunt Margaret stared toward the dresser at a picture of Mickey in his uniform on the USS Reuben James.

“I dreamed about Uncle Mickey and his best friend Peter Bettger.”  Lonely and nursing fading memories, she shook with a chill.  “Your Uncle Mickey had many friends aboard the good Reuben James.  I don’t know. What were their names?  I need to know all their names.”

 

[ Editor’s note: Terry Finley is a wonderful friend and fellow short story writer. You may wish to visit his Web site at http://theterryfinleysite.blogspot.com/ to thank him for this moving story.]

Das Spiel des Bankers ist wahlweise freigestellt und das Haus online poker die Rolle eines Vermittlers und erhebt eine Gebühr von den winnings jedes Bankers (keine Gefahr mit einbezogen für das Haus).

LongShortStories “PAY IT FORWARD” Challenge

June 1st, 2008

For Immediate Release 

Hello, this is Wayne C. Long, award-winning Writer/Publisher of LongShortStories.

Today, I have great news! June 1, 2008, marks the first anniversary of the Internet launch of www.LongShortStories.com, my short story e-mail subscription service and Pay-Per-View Web site.

I have many people to thank today for bringing this global short story enterprise to such an appreciative audience. I’ll mention the top five, for brevity.

First is God Himself. Thank you dear Father-Mother for preparing me, for showering me with the grace to receive your inspiration, to serve others with your voice!

Secondly, big Thank-You kisses and hugs to my wife Diane, my life, my joy, and the mother of our two wonderful children. In a few days we will celebrate 40 beautiful years of married life together. I love you, Diane! Thank you for holding my hand through the birth and infancy of this third baby of ours, this beauty named LongShortStories.

Thirdly, I want to thank my friend and Web site designer extraordinaire, Eugene Barnes of Columbus, Ohio. This creative genius has transformed my dream! I recommend him to everyone searching for the absolute best in Web site design and services. His URL is: www.eugenebarnes.com .

Fourth, I want to thank my enthusiastic subscribers, my friends and fans of “Dxerguy” at http://dxerguy.stumbleupon.com, and the thousands of visitors and potential subscribers this past year to the pages of www.LongShortStories.com. Last month, this Web site and its blog received the highest number of unique visitors in its twelve-month history!

And last, but definitely not least, I want to extend a special Thank-You handshake to my mentor-from-afar and fellow short story colleague, Bruce Holland Rogers. Bruce, you have been an inspiration to me and other short story writers the world over! Bruce is the most prolific short story writer on today’s Internet, having literally invented the marketing of short stories via Internet e-mail subscription service in 2002. His URL is: www.shortshortshort.com.

NOW, my friends, I have been saving the BEST FOR LAST!

I am so pleased and honored to announce that LongShortStories is teaming up with the Pay It Forward Movement. This grassroots Movement is the direct result of one woman writer’s real-life encounter with the kindness of strangers. Best-selling writer Catherine Ryan Hyde is the author of more than 50 award-winning short stories and 11 published and forthcoming books, including the groundbreaking “Pay It Forward” which went on to become a major motion picture loved the world over. Ms. Hyde is the founder and president of the Pay It Forward Foundation. The Foundation’s URL is: www.payitforwardfoundation.org. Thank you, Ms. Hyde, for your genius!

So now, with great fanfare and drumroll …

I hereby am announcing today a challenge in the spirit of that marvelous message contained within the golden pages of “Pay It Forward.”

I need everyone’s help! All you bloggers. You friends of unknown, underappreciated short story writers. You English teachers! Help me find the short story writers of tomorrow!

LongShortStories is hereby encouraging worthy writers to make themselves and their so-far unpublished short stories known to yours truly via e-mail as soon as possible (but not later than July 31, 2008), at my professional e-mail address: wayne@longshortstories.com.

Note: In the interests of time management, and due to the fact that I still have to deliver a fresh new short story every twelve days to my subscribers, I am herewith going to consider only the first 100 submissions I receive.

Translated: SEND YOUR SUBMISSION IN EARLY!

Submitted story manuscripts (with title and word count shown) should be cut-and-pasted into the body of your e-mail entry in Word format and be no longer than 2500 words. Please provide your full name and mailing address. In the event that any budding short story writer does not have access to a computer, they may have a friend contact me in their behalf by e-mail and I will arrange to receive that submittal via the U.S. Postal Service.

One story per entrant, please. No simultaneous submissions. No attachments, thank you.

I will personally read each entry and acknowledge each writer. Then, I will choose the twelve best submissions for first-time publishing on LongShortStories’ World Wide Web blog pages. One new original short story each month for twelve months!

These twelve winning writers will forever be known thereafter as published short story writers and will retain all rights to their work after it first appears in LongShortStories. No one can take that away from them! And who knows where this initial global exposure will lead!

A special note to any and all potential corporate and private donors wishing to support the LongShortStories “Pay It Forward” Challenge:

As of today’s Challenge kick-off, no prize money is available for the twelve selected short story winners. My “Pay It Forward” gift to them is exposure. My message to you corporate folks is this: Do the right thing! Just as others around the world have done in support of worthy, selfless causes like this. Invest in the transforming magic of a well-crafted short story. Make your philanthropic story a “Pay It Forward” success story! Donate! You’ll be glad you did!

It is my great joy to foster previously unknown, unpublished writers of brilliant short stories who are not yet blessed with a publishing platform to showcase their work. And certainly, it is my great honor to do all I can to help save the short story form. But most important of all, it is my profound wish and great privilege to …

“Pay It Forward!”

Happy First Anniversary, LongShortStories!  Thank you all! Now, let’s party!

For Don

May 22nd, 2008

My Uncle Don’s funeral is today in California. He was my Dad’s middle brother. The intellectual one. The one who read voraciously and catalogued the minutiae of what interested him.

He was an engineer by trade. The father of two wonderful sons. A grandfather.

A gardener.

Don was married to Betty for 60 wonderful years. Happy years. Years of shared friendship and mutual admiration.

Don was an original supporter of LongShortStories, long before I gave them that name. He enjoyed every one of them.

What more could a writer ask?

My wish is that his life serve as a beacon to creative, thoughtful minds yet to come. To lift up fledgling writers of short stories everywhere. To give them confidence to go deep into their bedrock for the kind of stories that Don would appreciate.

Thoughtful stories. Imaginative stories. Stories that uplift and set the captive heart free.

 For Don.

The Power of the Short Story

May 13th, 2008

Power?

Power, you say!

Yes, you read it right, my friends. P-O-W-E-R.

The short story writing form has been, and is, a powerful societal force. A force for good. A powerful mirror that can focus a spotlight on issues where bigger literary forms wax verbose and can take hours to get their message across to readers hungry for the truth. Hungry, but pressed for time.

In several of my LongShortStories I have chosen as the story’s theme an issue that needs spotlighting. An issue that resides at the fringes of the mass media. An issue where the lives of individual world citizens have been infringed upon. Or worse yet, unnoticed.

Take mental illness, for example. My short story “School Days” focuses a bright light on how one man’s life in a mental institution lead him to a career choice even he could not have predicted. And to an outcome no one would have guessed. Who cared about this societal throw-away fictional person? I did. And I still do. I gave him voice.

I care about the plight of Native Americans. Or, as many of them like to be called–Indians.

In America  there is a country within a country. My Indian friends call it “Indian Country,” a country whose written treaties with the majority Whites have been unilaterally broken by the government set up to protect indigenous people’s rights to original land claims, mineral and fishing rights, among many others.

These original Americans have voices that must be heard, for the good of the environment and for the larger society to which we all belong. I have chosen to drive home some of their messages by crafting short stories around them. Many of my readers have thanked me for this.

One only has to look at some of the codified rules governing supposedly civilized societies such as ours to find things breaking down under the crushing weight of governmental greed, inefficiency, and just plain abuse of the inalienable rights of its citizens. I call attention to these in my stories. The short story imparts its power to the people.

Let’s not forget humor and the healing power of a good belly laugh. The short story has the innate power to cut to the heart of things ridiculous and make us laugh at ourselves and some of our most cherished institutions. Give me black comedy any day! Short satire? Bring it on! Heh heh heh!

Down through the ages, brave writers and social commentators have chosen the short story form above all other weapons in their literary arsenal–to lift up the weak and voiceless. To expose the folly of the pompous and the selfish in our midst. Fellow short story writer Charles Dickens did just that–masterfully and with great clarity.

Perhaps the single most important reason I employ the power of the short story is this:

The short story has been systematically marginalized and brutalized by big-city accountants in the so-called publishing world, bent on maximizing profit over art. Advertising revenue over creativity. Systematic, mass dumbing-down of American taste and traditional values.

And yet, the short story lives! Some, like me, say that it actually thrives! Thrives–in the imagination of readers everywhere who will vote with their collective artistic conscience–to support fledgling short story efforts like LongShortStories who have found a more receptive home on the Internet, free of the strictures of the now-teetering traditional publishing world, free of the impersonal rejection machine that is corporate “literature,” and free to express its still small voice to an ever-widening pool of wonderfully supportive readers and discerning thinkers the world over.

The power of the short story? Yes, it is this and much more!

Like “The Little Engine That Could” children’s story, short story writers like me and my fellows have taken on the battle cry of that little train engine … “I think I can! I think I can!”

And you know what?

We are!

A Great Question!

April 18th, 2008

A short story writer friend recently asked me a most interesting question.

“How did you get into short stories?”

How indeed!

I grew up in a house filled with classical music. My mother was a classical pianist, performer and teacher. Classical music can really gift a child, if one listens to all the experts, and if the massive sales of the “Baby Einstein” products are any indication of how much creativity impacts young children. Some mothers even believe that their unborn children can benefit from it in the womb, for heaven’s sake! Who really knows?

All my life, I have been interested in creative writing (there’s that word “creative” again).

All my life I have been an observer of humanity. A listener. An internalizer of ideas and visual images.

Once I met my wife (an English major) in college, we started going out to independent and foreign films in our college town and also to some of the best art film houses in Chicago.

One afternoon a few years later I played hooky from my job while out attending a trade show for my employer. I went to a matinee at an art film theater I had come to love.

Showing was a John Cassavetes film called “Faces.”

That powerful, character-driven little indie film transformed my way of looking at the world … forever.

It was ALL about the story! No Hollywood special effects. No big box office stars. The story. The story. The ….

But the pressures on a new husband and father (me) caused my  priorities to shift to the more mundane task of making a living and supporting my little family. But I still kept coming back to those indie films and their unique essence.

The reason I was magnetically drawn to these films that nobody had ever heard of, with actors that might not even be speaking English, was, again … the story. These miniature masterpieces  filled my imagination with dreams of one day becoming an indie film director or maybe an animator.

What could be better than to reinvent myself for a career in cinema? Then, reality came crashing down. Stay focussed on your day job, stupid!

As I was completing my third decade-and-change in the highly competitive world of sales, I abruptly pulled the plug on that career. I had been there, done that, more times than I cared to imagine. Something was impelling me to swing back to my core, my dream.

My writing.

And the challenge of working in what some experts say is the most difficult writing form of all–short stories. Little indie films of my own creation. Told directly to you, my appreciative LongShortStories audience.

And the rest, as they say, is history.

Influencers, like the creative storyteller Rod Serling of “The Twilight Zone” fame, have had an impact on my short story writing.

Edgar Allen Poe was an influencer (”The Cask of Amontilado”).

Arthur Clarke (”2001: A Space Odyssey”).

Anthony Burgess (”A Clockwork Orange”).

Chaucer (”The Canterbury Tales”).

Sherman Alexie (”The Lone Ranger and Tonto Fistfight in Heaven”).

Military stories like “Dispatches” and “The Things They Carried.”

Annie Proulx, for her magnificient “The Shipping News” and “Brokeback Mountain.”

And most recently. the most powerful influencer and Pulitzer Prize-winning novelist, Cormac McCarthy, for “The Road.”

I would be remiss if I did not give loving credit to my wife, who is my best friend, my best critic, and my best supporter when it came to launching LongShortStories.

So, to my writer friend who asked this question “How did you get into short stories?”

I answer with a resounding SEE ABOVE!

                 

Spotlight on David S. Shaw

April 14th, 2008

DEADMAN’S CURVE

 By David S Shaw. 

His heart was racing, pulse pounding in his ears. He was terrified. Bitter tasting panic filled his mouth. Vibrations from the car’s chassis signalled it had reached its limits and promised nothing more. 

He glanced in his mirror. The car behind flashed its headlights. 

Eighty miles per hour … and rising!  This was faster than he’d driven since rushing Miriam to hospital when she collapsed at home nine years ago. 

 Slow down.  

Chances of the car passing him? 

Vanished.  

Hands trembling, aching, gripping the steering wheel tightly.  

He wiped away a bead of sweat with his shoulder. Blinded by full beams, tilting his head and blinking rapidly, he squinted through the screen, trying desperately to see. 

Trees flashed past on either side, appearing to hem in the road, making it tunnel-like. All he could make out against the night sky were haunting branch shadows. Clouds obscured the moon. Pale light barely crept through, casting eeriness. Catching his breath, he sensed that trees were brushing against the car. 

Straining to see through the trees, there was nothing but fields beyond. No welcoming, twinkling lights.  

Daniel Morris feared he was at risk. Things were turning more sinister, like that film from the late night channel, with Dennis something-or-other being pursued from state to state by a crazed trucker. 

This was Daniel’s version on this God-forsaken country road in the middle of nowhere.  

How had he managed to get into this mess?  After all, it was supposed to be a simple trip to Alex Seacroft’s house. A quick signature, confirming the sale of a property in Spain. And half an hour later, he was supposed to be at home, vodka in hand, while Miriam made a hash of dinner.  Usually, a couple of stiff ones dulled the meal and made the company bearable. After twenty-seven years of marriage they were at that point where they couldn’t remember anything else. 

This deal had dragged on for eight months and, in all that time, Daniel had run himself ragged. Now, the seller insisted that the deal be done by midnight or it was off. After all that work and planning, for things to fall apart at the last minute was unthinkable. It meant that their plans for selling everything and moving to a little cottage in Spain would be shattered.  

With a quick eye to the mirror, he tried to place the car behind but couldn’t. When had it appeared on his bumper? Maybe at the traffic lights? He wasn’t sure. Now, eight miles later, doing over eighty, he found himself in almost total darkness in a car that had barely passed its last inspection. 

Panic rose from the pit of his stomach, slowly spreading throughout his core. Horn blaring from behind, then a prolonged beeping.  It made him flinch.  

He stomped on the accelerator, launching the Ford forward.  Couldn’t help but look in the mirror again, as that phantom car closed as if to ram him. Almost frozen in place, Daniel caught a white blur of the final corner marker as it flashed by. 

His speedometer–close to ninety-five.  That fucking car was pushing him beyond all reason.  

With the pavement curving gently to the left, he made every effort to follow that arc, as balding tires squealed in protest. The rear of the car started drifting. Somehow, he jerked the wheel in the opposite direction, counteracting its slide. A momentary cloud of dust hid the aggressor as Daniel careened off the pavement, striking the soft shoulder. It took every ounce of willpower left in his body to move his leg muscles and ease off the pedal. The car fishtailed. Somehow, he managed to keep it on the road.   Tires spinning, clawing for traction. 

Flashing headlights.  

Blaring horn.  

Eyes of the other driver, piercing the back of Daniel’s neck. 

Imagining that car ramming his bumper.  

Having seen enough of “Police, Camera, Action,” Daniel realized he could be shunted off the road at any minute. Sweat trickled down the back of his neck. Leaning forward, he felt his shirt peel away from the cheap vinyl seat. Lights from behind dazzled his eyes and he jerked the mirror away in frustration. The mystery car shot forward as they both straightened out. He could see about two hundred yards of road.  

Just a sliver of soft shoulder keeping him from harm’s way. He had never driven this road before. He ran his trembling fingers through the greying hair plastered to his head.  

And then … dizziness. 

Again, horn blasts, making him jump.  

Staring down the unfamiliar roadway, the speedometer pinned, Daniel veered out of his lane, yanking violently on the wheel in the opposite direction. 

And then he lost it.  

His front wheel tore into the soft shoulder, dropping the car into a gaping rut. Bouncing up the other side, the big car lost its tentative grip on the road. He frantically fought for control as the rear of the car came around. The weight of the vehicle drove it forward, toeing the wheel inwards, rupturing the worn suspension.  Daniel slammed on the brakes … but it was too late. The airborne nose of the car raked downwards, carrying its momentum through the dirt and beyond to a drainage ditch.  

Daniel’s head crushed the dashboard as his car slammed into the opposite bank. He could taste something metallic. Blood? 

Before he blacked out, the last thing he felt was a searing pain as the steering wheel impaled his chest, pinning him to the seat. The last thing he saw was a blinding flash of light as the other car overtook him. 

As the ambulance pulled away, siren blaring, two police officers on the scene were consulting one another, their faces bathed in blue lights from the emergency vehicles. They pointed towards the curve. 

He must have taken it too fast.

This curve was notorious for causing accidents, its seemingly gentle line enticing people to drive too fast. 

A tow truck was positioned to extract the wreckage. Emergency personnel and the tow truck driver were oblivious to flowers tied to a large tree opposite the drainage ditch. By this time next week, this stretch of road would be designated an accident black spot.

Parting clouds allowed the moon to cast a pale light on the emergency vehicles parked along the road. Yellow and blue strobes fought for attention as emergency crews wandered about in organised chaos, pointing and shouting.   A fire tender diagonally blocked the road. Two crew members sat on the back, sipping cups of weak tea from a thermos. A fireman joked. Someone laughed.  

It was the start of the night shift. Already, it promised to be a busy one. This was the second accident they had attended. The first, an elderly woman who had driven into a parked car and broken her leg. Then there would be the inevitable hoax calls to come.

Surveying the scene, a paramedic exclaimed that the victim had been fortunate. A broken tooth, split lip, and crush injuries to the chest from the steering wheel.  

Their last two accident victims hadn’t survived. One had suffered a heart attack and died on the way to Casualty. The second wasn’t wearing a seat belt and had gone through the windscreen, lodging him in a fence. A rotting post had punctured his neck. He bled to death before anyone had reached him. 

Both officers spun on their heels towards Daniel’s car.  Its front, crumpled. 

Hissing steam coming from under its bonnet. 

The acrid smell of hot oil and rubber. 

The driver’s door–pried open. 

The windscreen? Smashed into a thousand pieces scattered along the bank.  

At least he had been alone.  

Already, they were mentally writing their reports, wondering what time they would be clocking off.  

Another idiot rushing home.  Nobody seemed interested in a darkened car halfway down the road, pointing towards them. A black sports car, its windows heavily tinted. 

Suddenly, it turned on its headlights. 

And with a muffled growl from the big engine under its bonnet, the mystery car did a u-turn in the middle of the road. 

Tires squealing, Daniel’s tormentor left a track of rubber as he disappeared into the blackness.